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Andrew Rogers received his photographic training from Grossmont College in San Diego’s east county. Classically trained, he works using a variety of tools and styles ranging from modern, digital image capture and output to traditional, analog materials.

He has had work featured in several group exhibitions and student shows including; The New Americans Museum, The National Steinbeck Center, The Hyde Gallery and the Borrego Art Institute. He has also had work grace the pages of San Diego’s LGBT Weekly and San Diego Lawyer Magazine.

Andrew Rogers is currently a freelance photographer based in the Southwestern US. Though his current focus is film and theater arts, he is highly capable and well versed in a variety of subjects and styles.

Husband to an amazing and talented web developer/designer, he is also the devoted (and smitten) father to the world's most amazing toddler.

New schwag, available now... 

The new Silversunbeam Photographic logo Tee. Celebrating my analog roots.

Now in the post-migratory period. A place for everything and everything in its place.

Helga Viking Lens, Blanko Film, No Flash, Taken with Hipstamatic

“Lacock Abbey #10”

Camera: Minolta X-700

Film: Kodak Tri-X (EI 200)

Patience please…

Sorry for the lack of activity recently. I am in the middle of a massive relocation. Rest assured, new content will be forthcoming as soon as our move to Arizona is complete.

Eleanor Callahan, patient and loving wife/muse dead at 95 

“He just liked to take the pictures of me,” she told an interviewer in 2008. “In every pose. Rain or shine. And whatever I was doing. If I was doing the dishes or if I was half asleep. And he knew that I never, never said no. I was always there for him. Because I knew that Harry would only do the right thing.”

freestylephotographic:

On July 12, 2006, The Legacy Project unveiled the world’s largest photograph at a special reception held inside the world’s largest camera. “The Great Picture, Making the World’s Largest Photograph” chronicles the journey to get there. This hardcover book, in a hard, protective sleeve, by Lucy R. Lippard, Tyler Stallings, and Dawn Hassett features 98 color plates, 38 black & white plates and 8-page gatefolds.

So, no pressure on getting the darkroom re-established or anything. (Special thanks to some wonderful friends)

He’s dead Jim.

John S Lens, Claunch 72 Monochrome Film, No Flash, Taken with Hipstamatic

Duck Confit

John S Lens, Claunch 72 Monochrome Film, No Flash, Taken with Hipstamatic

“Fallen Trees, Hidden Stream”

Camera: Graflex Pacemaker Speedgraphic (Kodar 131mm)

Film: Arista EDU Ultra 100

Process: Cyanotype

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